lecture 2: from history to practice

Historical Recap (10 minutes)

Key Takeaways from Last Week

Animation began as ART, not entertainment - we're reclaiming that legacy
McCay's Interactive Performance
Live interaction between artist and animated character, breaking the fourth wall
Live streaming, VR performances, interactive web art
Reiniger's Silhouette Revolution
Multi-plane camera, craft-based animation, feminine approach to digital media
After Effects layer compositing, shadow animation apps, cut-out animation tools
McLaren's Direct-on-Film
Bypassing cameras entirely, painting sound and image directly onto medium
Code-based animation, procedural generation, glitch art techniques
Your Generation's Innovation
What revolutionary technique will YOU develop?
AI collaboration, blockchain animation, neural interface art?
Before we analyze your work: What technique from last week most inspired your research choice?

Quick 2-minute sharing round - connect your chosen historical animator to a contemporary possibility you discovered.

Analysis Framework (15 minutes)

How to Read Animation as Art

Moving beyond "I like it" to understanding WHY and HOW animation creates meaning.

Material Analysis Questions

  • What is the actual MEDIUM? (Digital files, physical materials, hybrid techniques?)
  • How does the production method become part of the content?
  • What does the frame rate communicate about time and perception?
  • How do compression artifacts or digital noise function artistically?
  • What platform constraints shape the work's form?

Historical Context Questions

  • Which historical technique does this reference or rebel against?
  • How does this work position itself within animation history?
  • What contemporary issues does it address through animation?
  • How does it use or subvert commercial animation conventions?
  • What new possibilities does it suggest for the medium?

Conceptual Framework Questions

  • What is animated and why? (Objects, ideas, processes, systems?)
  • How does movement create meaning beyond mere decoration?
  • What relationship does it establish between artist, work, and viewer?
  • How does it engage with questions of labor, time, and craft?
  • What does it reveal about our contemporary moment?
Great animation art makes its production method conceptually relevant, not just technically impressive

Digital Archaeology: Mapping Historical Techniques (20 minutes)

Your Contemporary Animation Toolkit

Every digital tool has historical DNA. Understanding lineages helps you make more intentional artistic choices.

After Effects
Layer compositing, motion graphics, time-based editing
Directly descended from Reiniger's multi-plane camera and cel animation layering systems
Processing/p5.js
Code-based animation, generative art, algorithmic motion
Echoes McLaren's direct manipulation of film material and systematic approaches to motion
TikTok/Instagram
Vertical video, social media animation, viral loops
Returns to McCay's vaudeville performance context - animation as live, social experience
Blender/Cinema 4D
3D animation, virtual environments, digital sculpture
Extends stop-motion's object manipulation into infinite virtual space
AI Animation Tools
Machine learning generation, style transfer, neural animation
Raises same questions McLaren explored: can animation exist without human hand-drawing every frame?
AR/VR Platforms
Spatial animation, immersive environments, body-based interaction
Fulfills McCay's dream of stepping into the animated world
Exercise 1: Tool Genealogy

Choose your favorite digital animation tool and trace its historical lineage:

  1. What physical animation technique does it digitize?
  2. What new possibilities does the digital version create?
  3. What limitations does it inherit from its analog predecessor?
  4. How could you use it in a way its creators never intended?

Time: 10 minutes individual work, 5 minutes sharing

Student Research Presentations (30 minutes)

Presentation Framework

Each student presents their chosen historical animator for 2 minutes, focusing on contemporary connections.

Presentation Structure

  • Who was your chosen animator and what was their historical context?
  • What was their signature technique or innovation?
  • How could you adapt their technique using today's technology?
  • What contemporary artist or project does their work remind you of?
  • What would they think of animation today?
As each student presents, consider: How does their historical choice reveal their own artistic interests?

Take notes on connections between classmates' choices and potential collaboration opportunities.

Every historical technique you've researched is a potential starting point for your own innovative work

Digital Archaeology of Your Work (20 minutes)

Excavating Your Current Practice

Before we can transform your work, we need to understand its current "archaeological layers" - what influences, techniques, and assumptions are embedded in your practice.

Exercise 2: Personal Animation Archaeology

Analyze your most recent animation work:

  1. Material Layer: What software, hardware, and processes did you use? Why those choices?
  2. Reference Layer: What other animations influenced this work? (Even subconsciously)
  3. Platform Layer: Where was this meant to be seen? How did that shape your choices?
  4. Labor Layer: How much time did different parts take? What felt tedious vs. exciting?
  5. Historical Layer: What animation traditions does your work unknowingly participate in?

Time: 15 minutes individual reflection, write notes

What surprised you about your own process when you analyzed it systematically?

Often we make choices unconsciously that reveal deeper artistic values and assumptions.

Transformation Exercises (25 minutes)

Applying Historical Innovations to Contemporary Work

Now we'll practice adapting historical techniques to transform your current animation practice.

Exercise 3: The McCay Challenge

Transform your work using McCay's interactive performance approach:

  1. How could you make your animation respond to live input? (Voice, movement, biometric data?)
  2. What would it mean to "perform" your animation rather than just screen it?
  3. How could you break the fourth wall between your work and its audience?
  4. Sketch a concept for an interactive version of your latest project

Time: 8 minutes

Exercise 4: The Reiniger Method

Apply Reiniger's craft-based, layered approach:

  1. How could you make your animation using physical materials first, then digitize?
  2. What would your work look like if you had to cut every element by hand?
  3. How could you embrace "slowness" and craft in digital tools?
  4. Design a workflow that combines physical and digital processes

Time: 8 minutes

Exercise 5: The McLaren Experiment

Adopt McLaren's experimental, medium-specific approach:

  1. How could you animate without traditional animation software?
  2. What would it mean to create animation by manipulating code directly?
  3. How could you make the "errors" or "glitches" in your process become the art?
  4. Propose an experimental technique no one has tried before

Time: 9 minutes

Innovation often comes from combining old techniques with new technologies in unexpected ways

Contemporary Applications (15 minutes)

Which contemporary artist's approach most closely aligns with your own interests? What could you learn from their methodology?

Critique Methodology (15 minutes)

How to Give Useful Feedback on Animation Art

Moving beyond "I like it" to constructive analysis that helps artists develop their practice.

The Three-Layer Critique Method

  • Surface Layer: What do you see/hear? Pure description without interpretation.
  • Structure Layer: How is it made? What techniques, timing, and formal choices create the experience?
  • Concept Layer: What is it exploring? How do the formal choices support or contradict the conceptual framework?

Productive Critique Questions

  • What is this work's relationship to animation history?
  • How could the maker push their technical approach further?
  • What aspects of the work feel most/least resolved?
  • What new directions does this suggest for the artist's practice?
  • How does this work contribute to contemporary animation discourse?
Good critique helps artists understand not just what to change, but WHY and HOW to develop their practice

Final Project Introduction (10 minutes)

The Historical Innovation Project

Your semester-long project: Create a significant animation work that meaningfully adapts a historical technique for contemporary practice.

Project Requirements

  • Choose one historical animation technique as your foundation
  • Develop an original adaptation using contemporary tools/concepts
  • Create a 2-3 minute finished animation work
  • Document your process and historical research
  • Present your work in a final critique that connects historical and contemporary contexts

Evaluation Criteria

  • Historical Understanding: Depth of research and understanding of chosen technique
  • Contemporary Innovation: Originality and significance of your adaptation
  • Technical Execution: Craft and skill in realizing your concept
  • Conceptual Framework: Clarity of artistic vision and critical thinking
  • Process Documentation: Quality of reflection and research presentation
Based on today's exercises, which historical technique feels most aligned with your artistic interests and technical abilities?

Consider both what excites you conceptually and what seems feasibly achievable this semester.

Assignment for Next Week

Technique Adaptation Proposal

Deliverables

  • Choose your historical technique and contemporary adaptation approach
  • Create a 1-page written proposal outlining your concept
  • Develop 3 different visual/technical tests exploring your chosen approach
  • Document your process with photos, screenshots, or screen recordings
  • Prepare a 3-minute presentation of your proposal and tests

Proposal Structure

  • Historical Foundation: Which technique, why it interests you, key innovations
  • Contemporary Adaptation: How you'll modernize/transform the approach
  • Technical Plan: What tools, processes, and workflows you'll use
  • Conceptual Framework: What you want to explore/express through this approach
  • Timeline: Realistic schedule for developing this over the semester
Don't just copy historical techniques - TRANSFORM them to address contemporary questions and possibilities

Next Week Preview

Lecture 3: Technical Deep Dive
We'll examine your proposals and begin intensive technical workshops tailored to your chosen approaches. Come ready to get your hands dirty with both historical research and contemporary tool mastery.