Ariel Baron-Robbins
Visiting Asst. Teaching Prof.
Animation · FIU
arielbaron-robbins.com

a presentation by Ariel Baron-Robbins

Why I Integrate AI
into Visual Arts Pedagogy

Visiting Assistant Teaching Professor of Animation
Florida International University

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the abstract
Opening — 15+ Years of Teaching

After more than fifteen years of teaching computer-based art, I have witnessed multiple technological shifts that reshape how we create and interpret images.


Generative AI systems introduce a fundamentally different relationship between artist and medium. As Visiting Assistant Teaching Professor at Florida International University, where I teach all animation courses with a focus on experimental and expanded practices, I have integrated AI into the curriculum not as a productivity shortcut, but as a method for rethinking how artists engage with image-making processes.

Against Commercial Defaults

My teaching pushes against the commercial defaults embedded in widely available generative tools. These systems produce flattened, homogenized aesthetics: highly rendered, glossy, overly processed images that quickly become predictable. I show students how to identify and resist this default mode.


One approach is modeling the creation of custom LoRAs using their own images and research, allowing students to think critically about authorship, reference, and visual language.


→ See: Dumb Prompts to Show Generic ↓

The Evolution Project

A key component of my course is a project called Evolution, in which students develop their own positions on generative AI and creativity. Students learn to distinguish qualified research-based sources from social media trends and news-cycle hype.

Art History in the Conversation

I bring art history directly into the conversation. We examine how artists have long used machine learning, algorithmic processes, and early forms of AI, dating back to the 1970s. This historical grounding helps students situate current tools within a longer lineage.

AI Writing is Always Permitted

AI-generated writing is always permitted in my courses. The emphasis is not on whether AI is used, but how and why. Each student determines their own level of engagement based on their research, intentions, and critical response to the medium.

Core of the Evolution Project
Students develop their own positions
on generative AI and creativity.
Research, analysis, and reflection rather than output alone.
Closing Position

Throughout the course, students are not taught to fear or reject AI, nor to embrace it uncritically. The classroom becomes a space for active inquiry where assumptions about creativity, labor, authorship, and image-making are tested through direct engagement with the tools themselves.


By integrating generative AI into an experimental fine art context, I aim to shift focus toward process, reflection, and critical authorship.

Dumb Prompts to Show Generic

Students test their concepts using a single simple “dumb” prompt — run through different models built by different companies with different datasets. Each model is averaging its training data to answer the prompt.


The results side by side show what is statistically average across the internet. See what all the outputs have in common: you now know what not to do.

Prompt: “a fairy” — Four Models, One Default
AI generated fairy, model A
Model A
Feminine figure, butterfly wings, soft bokeh, high render quality.
AI generated fairy, model B
Model B
Glowing wings, ethereal gown, forest backdrop. Same answer, different engine.
AI generated fairy, model C
Model C
Translucent wings, nature setting, warm color grading. The average asserts itself.
AI generated fairy, model D
Model D
Butterfly wings, green dress, warm bokeh. Four models, one answer.
Some “Styles” Are Dead Now

Sites like civitai.com/models?tag=style catalogue thousands of style models released publicly. These styles are easy for the AI to generate but were previously hard for a human to produce — which made them valuable. That value is gone.


If a style can be commodified into a free downloadable model, it no longer functions as a mark of skill or vision. We are not graduating students to make the default.

Commercial generative AI is great at creating generic art. It will replace subpar artists. But we don’t graduate subpar artists. We graduate students who know how to critically engage with the technology of their times to reflect the society they live in and push Art forward.

Ariel Baron-Robbins · FIU Animation
↑ abstract↓ timeline · 1770→2022full timeline ↗
“In other words, I reduce the idea of aesthetic considerations to the choice of the mind, not the ability or cleverness of the hand.”Marcel Duchamp, “The Creative Act,” 1957
“The idea becomes a machine that makes the art.”Sol LeWitt, “Paragraphs on Conceptual Art,” Artforum, 1967
★   A CONTINUOUS TIMELINE OF ARTISTS WORKING WITH AUTOMATION, COMPUTATION, AND AI   ★
Human & Machine Collaboration in Fine Art

full record: arielbaron-robbins.com/FIU/art_automation

Jaquet-Droz Automata
La Chaux-de-Fonds, Switzerland
Mechanical
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Programmable automata write text and draw images; human sets parameters, machine executes marks.

Proto-automation of authorship.
1770
1950
Ben Laposky: Oscillons
Iowa, USA
Electronic
John Cage: Music of Changes
New York, USA
Systems / Chance
1951
1956
Nicolas Schöffer: CYSP 1
Paris, France
Cybernetic
Hiroshi Kawano: Digital Mondrians
Tokyo, Japan
Algorithmic
1964
1966
E.A.T.: Experiments in Art & Technology
New York, USA
Collaborative
Harold Cohen: AARON Begins
California, USA
AI System
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An evolving drawing program generating original images over decades.

Long-running human-AI apprenticeship.
1973
2009
Jon Rafman: 9-Eyes
International / Online
Net Art / Data
2014
Refik Anadol: Data Sculptures
Los Angeles, USA
ML / Data
Refik Anadol: Machine Hallucination
MoMA, New York
ML / Installation
2019
Victor Dibia: African Mask Generation
Ghana
GANs
2018
Gallery of Code: First AI in Art Summit
Nigeria
Institution
2022
Commercial AI Goes Public
Global
Commercial
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DALL-E 2, Midjourney, Stable Diffusion, ChatGPT launch publicly. Artists had been here for decades.
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Student Work · Evolution Project
Student Work · 01
Student Work · 02
Student Work · 03
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Approved AI Tools

For the dumb/smart prompt research component of Project 2.
Two steps: write your prompt with an LLM, then run it through an image generator.

Step 1 — Write Your Prompt with an LLM
Step 2 — Free Image Generators
ToolBest ForFree Tier
Google Gemini ★ recommendedTop-tier quality, huge free allowance.~100 images/day
Leonardo AI ★ recommendedBest presets for character and concept art.150 tokens/day
ChatGPT (GPT-4o)Write and generate in one conversation.~3 images/day
IdeogramStrong stylized illustration.~40 images/week
KreaReal-time sketch-to-image.Free tier available
Adobe FireflyIP-safe. Integrates with Photoshop.Free tier available
Paid / Pro Options
ToolBest ForCost
Midjourney ★ highest qualityBest overall artistic output.From $10/mo
RunwayPrimarily a video tool.From $15/mo
Not Approved

Craiyon (formerly DALL-E mini) and similar low-quality generators are not accepted. The dumb vs. smart prompt exercise only works if your tool produces meaningfully different results based on prompt quality.


If you are unsure whether a tool is on this list, ask before submitting.

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resources
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